Secular Songs & Dances from the Middle Ages

Secular Songs & Dances from the Middle Ages
Carmina Burana / Music for the Crusade / Dances from England, France and Italy
Modo Antiquo - Bettina Hoffmann, dir.
Brilliant Classics BRIL 92888 [CDx6]

Contents

    CD-1: Carmina Burana, part I

    Anon.
  1. CB 185: Ich was ein chint so wolgetan
  2. CB 71: Axe Phebus aureo
  3. CB 200: Bache bene venies
  4. CB 119: Dulce solum
  5. CB 196: In taberna quando sumus
  6. CB 85 & 159: Veris dulcis in tempore
  7. CB 211 & 211o: Alte clamat Epicurus
  8. CB 90: Exiit dilucolo rustica puella
  9. CB 63: Olim sudor Herculis
  10. CB 151: Virent prata hiemata
  11. CB 116: Sic mea fata
  12. from CB 211: Walthers ton
  13. CB 153: Tempus transit gelidum
  14. CD-2: Carmina Burana, part II

  15. CB 27: Bonus est confidere
  16. CB 52: Nomen a sollempnibus
  17. CB 131/131: Dic Christi veritas / Bulla fulminante
  18. CB 14: O varium fortune lubricum
  19. CB 19: Fas et nefas
  20. CB 21: Veritas veritatum
  21. CB 47a: Currit ad vocem
  22. CB 47: Crucifigat omnes
  23. CB 12: Procurans odium
  24. CB 11: Ave nobilis
  25. CB 3: Ecce torpet probitas
  26. CB 14: Planctus ante nescia
  27. CB 8: Licet ager cum egrotis
  28. CB 15: Celum non animum
  29. CD-3: Music for the Crusades, part I

    I. Appellatio:

    Anon., Carmina Burana
  30. CB 47: Crucifigat omnes

  31. Thibaut de Champagne
  32. Seignor, sachiez qui or ne s'en ira

  33. Anon.
  34. La Quinte Estampie Real

  35. Anon.
  36. Parti de mal et a bien atourné

  37. Anon.
  38. Chevalier mult estes guariz

  39. Anon.
  40. De transfretantibus

  41. Thibaut de Champagne
  42. Au tans plain de felonie
  43. II. Dure Departie:

    Anon.
  44. La Seconde Estampie Royal

  45. Conon de Béthune
  46. Bien me defisse targier

  47. Thibaut de Champagne
  48. Dame, ensinc est qu'il m'en covient aler

  49. Le Chastelain de Couci
  50. A vous, Amors, plus qu'a nule autre gent

  51. Chardon de Croisilles de Reims
  52. Li departirs de la douce contree

  53. Le Chastelain de Couci
  54. Li nouveax temps et maiz et violete

  55. Gilles le Vinier ?; Le Chastelain d'Arras ?
  56. Aler m'estuet la ou je trerai paine
  57. CD-4: Music for the Crusades, part II

    III. Passagium Laboriosum:

    Roy Richart « Richard Heartlions »
  58. Ja nuns hons pris I

  59. Roy Richart « Richard Heartlions »
  60. Ja nuns hons pris II

  61. Anon., Roman de Fauvel
  62. Desolata mater / Que nutritos / Filios enutrivi

  63. Huon d'Oisi
  64. Maugré tous sainz et maugré dieu ausi

  65. Anon., gregorian
  66. Chant: Congregati sunt

  67. Anon.
  68. La Quarte Estampie Royal

  69. Anon., lutheran
  70. Choral; In gotes namen fara wir

  71. Guiot de Dijon
  72. Chanterai por mon coraige

  73. Riccardo di San Germano
  74. Diro satis percussus vulnere
    Anon.
    Tristan's Lament

  75. Anon.
  76. Nus ne porroit de mauvese reson
  77. IV. Hierosolyma Caelestis

    Anon.
  78. Hymn: Ierusalem mirabilis

  79. Walter von der Vogelweide
  80. Nû alrêst lebe ich mir werde

  81. Anon., Carmina Burana
  82. CB: 52: Nomen a solemnibus
  83. CD-5: French and English instrumental dances in the Middle-Ages

    English Dances

    Anon., London, British Library, Ms Harley 978, f. 8v-9r
  84. Ductia

  85. Anon., London, British Library, Ms, add. 28550 (Robertsbridge Codex), f. 43v
  86. Perone

  87. Anon., Oxford, Bodleian Library, Douce 139
  88. Nota

  89. Anon., London, British Library, Ms Harley 978, f. 9r/I
  90. Ductia I

  91. Anon., London, British Library, Ms Harley 978, f. 9r/II
  92. Ductia II

  93. Anon., London, British Library, Ms add. 28550 (Robertsbridge Codex), f. 43r
  94. (Fragment)

  95. Anon., London, British Library, Ms add. 28550 (Robertsbridge Codex), f. 43r
  96. Ductia
  97. French Dances

    Anon., Paris, Bibliothèque Nationale, Ms f. f. 844
  98. La Prime Estampie Royal
  99. La Seconde Estampie Royal
  100. La Tierche Estampie Roial
  101. La Quarte Estampie Royal
  102. La Quinte Estampie Real
  103. La Seste Estampie Real
  104. La Septime Estampie Real
  105. La Uitime Estampie Real
  106. Dansse Real
  107. (without title)
  108. Danse
  109. CD-6: Dança Amorosa, Italian Dances from the Middle-Ages

    Anon.
  110. Ghaetta
  111. Saltarello (2)
  112. La Manfredina, Rotta della Manfredina
  113. Chançoneta Tedescha (2)
  114. Isabella
  115. Saltarello (4)
  116. Saltarello (3)
  117. Chançoneta Tedescha (1)
  118. Chançoneta Tedescha (4)
  119. Principio di virtù
  120. Dança amorosa, suo Trotto
  121. Chominiciamento di Gioia
  122. Chançoneta Tedescha (3)
  123. Trotto
  124. Bel fiore dança
  125. Lamento di Tristano, sua Rotta

Playing time: 60' 13 + 60" 18" + 71' 11" + 58' 39" + 66' 08" + 58' 43" = 6h 15' 12"

Performers:
Modo Antiquo:
[1]-[27] Elena Cecchi Fedi (soprano), Lucia Sciannimanico (mezzo-soprano), Paolo Fanciullacci (tenor, zampogna, ciaramelle, olifante), Marco Scavazza (baritone, olifante), Federico Maria Sardelli (recorders, flauto di corno, flute, ciaramelle, voice), Ugo Galasso (recorders, ciaramelle, bombarda, flauta de tamburo, flute, voice), Mauro Morini (tromba di tirarsi, olifante), Anna Clemente (organo portativo), Bettina Hoffmann (viella, ribeca, tromba marina), Gian Luca Lastraioli (citola, lute, voice), Daniele Poli (harp, lute, hurdy-gurdy, salterio, voice), Luca Brunelli Felicetti (drums, naccari, cembalo, bells, scacciapensieri, percussion)
[28]-[54] Santina Tomasello (soprano), Lucia Sciannimanico (mezzo-soprano), Paolo Fanciullacci (tenor, zampogna, ciaramelle, olifante), Marco Scavazza (baritone, haute-contre), Federico Maria Sardelli (recorders, flauto di corno, flute, ciaramelle, voice), Ugo Galasso (recorders, ciaramelle, bombarda, flauta de tamburo, scacciapensieri), Piero Callegari (tromba di tirarsi, olifante), Bettina Hoffmann (viella, ribeca, tromba marina), Gian Luca Lastraioli (citola, lute, salterio), Daniele Poli (harp, lute, symphonia, salterio), Luca Brunelli Felicetti (drums, naccari, cembalo, bells, salterio), Massimo Risaliti (triangle, percussion)
[55]-[72] Federico Maria Sardelli (recorders, cromorns, bombarda, flute, flauto di corno, rauschpfeiffe), Ugo Galasso (recorders, bombarda, chalumeau, pipe and tabor, ciaramelle), Paolo Fanciullacci (cornet, bagpipe, olifant), Maro Morini (tromba di tirarsi), Bettina Hoffmann (ribeca, viella, tromba marina), Gian Luca Lastraioli (citola, luth), Daniele Poli (luth, harp, zither, simphonia), Luca Brunelli Felicetti (drums, naccari, cembali, bells, scacciapensieri), Massimo Risaliti (drums, harness-bells, triangle, hand bells)
[73]-[88] Federico Maria Sardelli (recorders, gemshorn, shawm, crumhorn), Ugo Galasso (recorders, shawm, crumhorn, reed-pipe), Bettina Hoffmann (fiddle, rebec, tromba marina), Gian Luca Lastraioli (cittern, ud), Annaberta Conti (portative organ), Paolo Fanciullacci (cornamuse (mute cornet), bagpipes), Susanna Giannò (harp), Luca Brunelli Felicetti (drums, darbukka, nakers, bells, tambourin, Jew's harp), Massimo Risaliti (drum, crotales, jingles)
Bettina Hoffmann, dir.

Recording site and date:
[1]-[27] Oratorio di San Francesco Poverino, Florence, Italy [10/1998]
[28]-[54] Chiesa della Compagnia, Calenzano, Florence, Italy [01/2000]
[55]-[72] Chiesa della Compagnia, Calenzano, Florence, Italy [09/1999]
[73]-[88] Santa Maria Casa, Vecchio, San Casciano, Italy [04/1994]
Rel.: 2006

Excerpts (original release):
[CD-1, 2] Amadeus "Speciale" 056-57 [CDx2] Carmina Burana
[CD-3, 4] Amadeus "Speciale" 062-063 [CDx2] La musica dei Crociati
[CD-5] Precise label unknown [CD] Petrone: Tutte le danze strumentali del medievo, vol. II Francia e Inghiterra
[CD-6] Opus 111 30-142 [CD] Dança Amorosa: Danze italiane del medioevo

Comments:
Information from CD.
The title for original CD-5 is from modoantiquo.com website
The spelling of instruments is as written on different CDs.

To purchasing information for this disc.

To FAQ references to this recording.

To FAQ CD index page.

Pierre-F. Roberge