Music from the court of Ferdinand and Isabella

Music from the court of Ferdinand and Isabella
The Early Music Consort of London - David Munrow, dir.
EMI CSD 3738 [LP]
Angel S-36926 [LP]
EMI (Japan) TOCE-6198 [CD]

Contents:

    Anon.
  1. Dónde se sufre, Juana
    Alonso (attr.)
    La tricotea sa' Martín la vea
    Carlo Verardi
    Viva el gran Re Don Fernando con la Reina Doña Isabella

  2. Alonso de Alva
  3. Ut queant laxis
    Pedro de Escobar
    Virgen bendita sin par

  4. Luis de Milán
  5. Fantasia XI
    Alonso de Mudarra
    Claros y frescos rios

  6. Anon.:
  7. El cervel
    Juan de Anchieta
    En memoria d'Alixandre
    Anon.:
    Sola me dexaste - Minno amor, dexiste ay

  8. Alonso de Mudara
  9. Tiento
    Tomas de Santa Maria:
    Fantasias I
    Fantasia XI
    Fantasia XXV

  10. ----
    Luis de Milán
  11. Aquel caballero, madre

  12. Anon.
  13. L'amor, donna, ch'io te porto
    Jusquin d'Ascanio (aka Josquin Desprez)
    In te Domini speravi
    Anon.
    Guarda, donna, el mio tormento

  14. Antonio de Cabezón
  15. Diferencias sobre la gallarda milanesa

  16. Anon.
  17. Ave, Virgo, gratia plena
    Pedro de Escobar
    Sumens illud
    Anon.
    Dios te salve, cruz preciosa

  18. Diego Ortiz
  19. Recercada quarta
    Recercada settima

  20. Juan del Encina
  21. Triste España
    Anon.
    Jançu, Janto

Playing time: 48' 57" (CD)

Performers:
The Early Music Consort of London - David Munrow, dir.

Recording site and date:
Abbey Road Studio [05/1972];
Rel.: 1973

Compilation:
Testament SBT 1251 [CD] Music for Ferdinand and Isabella of Spain - Instrumemts of the Middle Ages & Renaissance.

Excerpts:
[11.1] EMI Classics 0946 3 61524 2 4 Music of the Renaissance: The Da Vinci Collection

Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.): 50/600-2083 (May 1973)
Fanfare (Vol./#-p.):

Comments: Information from owned LP (Angel) and CD (EMI CD), also Rachel Sasseville (Testament CD).

To purchasing information for this disc.

To FAQ references to this recording.

To FAQ CD index page.

Pierre-F. Roberge