The songbook of Zeghere van Male

Renaissance-Polyfonie in Brugge
The Songbook of Zeghere van Male
Capilla Flamenca
Eufoda 1155

Contents:

    Geesteljike Muziek
  1. Praeludium
  2. Laus Deo
  3. Musae Jovis (Benedictus Appenzeller)
  4. Sanctus uit Missa "C'est doncq par moy"
  5. O intemerata (Josquin Desprez)

  6. Liederen uit de Lage Landen
  7. Mijn hert altijt (Pierre de la Rue / Hans Judenkünig)
  8. Mijn hert alijt (La Rue)
  9. Duo zonder name
  10. Den zyn verblyt
  11. Ghequest ben ic
  12. Het was my wel te vooren (Gheerkin de Hont)

  13. Franse Chansons
  14. Chantons, sonnons trompettes
  15. Jouissance vous donneray (Claudin de Sermisy)
  16. O cueur ingrat (Johannes de Hollande)
  17. Mon petit cueur (Adrian Willaert)
  18. Forseulement
  19. Mille regretz (Josquin / Luis de Narváez)
  20. Resjoïssés vous (Jean Mouton)
  21. C'est doncq par moy (Ninot le Petit ?)
  22. Qui l'ara, l'ara (Appenzeller)

  23. Dansmuziek
  24. Pavane
  25. Basse danche

  26. Vroeg bekende madrigalen in de Lage Landen
  27. Ognun si duol' (Philippe Verdelot)
  28. Se l'ardor (Verdelot)
  29. Dona leggiadra (Verdelot)

Performers: Els Delsupehe (soprano, portative organ, crumhorn); Paul Gerhardt Adam (countertenor); Edmund Brownless (tenor); Dirk Snellings (bass, Renaissance gamba, crumhorn); Carine Rinkes (Renaissance block-flute, dulcian, crumhorn); Eugeen Schreurs (Renaissance gamba, crumhorn); Hans Michael Koch (Renaissance lute); Paul van Loey (Renaissance block-flute).

Playing time: 60:25

Recording date Unknown (1993?)

This recording attempts to show something of the scope of musical life in late fifteenth- and early sixteenth-century Bruges. The liner notes emphasize the importance of printing in making music available to a wider spectrum of people, especially the middle class. The songbook from which selections are taken is a hand-compiled, richly illuminated work in four volumes of more than three hundred pages each, made in 1542 for the Bruges yarn, linen and fabric merchant, Zeghere van Male. All tracks make use of at least one instrument.

All unattributed pieces are anonymous.

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Christopher Schifani