Passsion & Resurrection - Music inspired by Holy Week

Passsion & Resurrection
Music inspired by Holy Week
Stile Antico
Harmonia Mundi USA HMU 807555 [SACD-H]


    William Cornysh (1465-1523)
  1. Woefully arrayed (attrib. John Skelton (1460-1529))

  2. Orlando Gibbons (1583-1625)
  3. Hosanna to the Son of David (Matthew 21:9)

  4. Thomas Tallis (c. 1505-1585)
  5. O sacrum convivum (Thomas Aquinas)

  6. Orlande de Lassus (1532-1594)
  7. In Monte Oliveti (after Luke 2:39,41-42, Matthew 26,41)

  8. Cristobal de Morales (c. 1500-1553)
  9. O crux, ave spes unica (From Vexilla Regis (Venantiius Fortunatus))

  10. Tomàs Luis de Victoria (c. 1548-1611)
  11. O vos omnes (Lamentations 1:12)

  12. John McCabe (b. 1939)
  13. Woefully arrayed (attrib. John Skelton (1460-1529))

  14. John Taverner (c. 1490-1545)
  15. Dum transisset (Matins respond for easter day, Mark 16:1)

  16. Francisco Guerrero (1528--1599)
  17. Maria Magdalene (Mark 16:1-2; 5-6)

  18. William Byrd (1540-1623)
  19. In resurrectione tua (Easter alleluia verses)

  20. Jean Lheritier (c. 1480-c. 1551)
  21. Surrexit pastor bonus (Matins respond for easter day)

  22. Orlando Gibbons (1583-1625)
  23. I am the Resurrection and the Life (John 11:25-26)

  24. Thomas Crecquillon (c. 1505-c. 1557)
  25. Congratulaminin mihi (Matins respond dor easter day, John 20:13, 15)

Performing editions prepared by Stile Antico, except as follows.
"Congratulamini mihi (Thomas Crecquillon) edition prepared by Martin Ham
"I am the Resurrection and the Life" (Orlando Gibbons) reconstructed by David Wulstan
"Woefully Arrayed" (John McCabel) published by Chester Novello Ltd.

Playing time: 71' 13"

stile antico:
Helen Ashby, Kate Ashby, Rebecca Hickey Alison Hill (2, 9, 11), sopranos
Emma Ashby, Eleanor Harries, Carris Jones (2-4, 6-7, 12), Martha McLorinan altos
Jim Clements, Andrewe Griffith, Benedic Hymas, tenors
James Arthur, Will Dawes. Will Dawes, Oliver Hunt, Matthew O'Donovan, basses

Recording site and date:
All Hallows' Church, Gospel Oak, London, England [February 2012];
Rel.: November 2012


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Richard C. Vervoorn