"Renaissance" Greatest Hits

"Renaissance" Greatest Hits
Ensemble Renaissance
RTB 2 130 491 [LP]

Contents:

    Anon., 12th c., Codex Buranus
  1. Mihi confer venditor

  2. Anon., 14th
  3. Saltarello 2

  4. Anon., 12th c., Codex Buranus
  5. Tempus est iocundum

  6. Anon., 13th c.
  7. Lamento di Tristano e rotta

  8. Anon., 12th c.
  9. O admirabile Veneris ydolum

  10. Anon., 14th
  11. Saltarello 3

  12. An., 13th c.
  13. Oxford estampie

  14. Alfonso le Sabio (attr.), Cantigas de Santa Maria
  15. Cantiga 166: Como poden

  16. Anon.
  17. Bagpipe tune

  18. ----
    Anon., 15th c., Cancionero de Palacio
  19. Adoramoste Senor Dios

  20. Anon., ca 1600
  21. Branle de Champaigne

  22. Anon., 17th c.
  23. Song of Fool (King Lear)

  24. Anon. ca 1603
  25. Kemp's Jig

  26. Anon. 1551
  27. Moresca

  28. Anon. 1551
  29. Branle de Bourgogne

  30. Anon., 1547
  31. Branle double "La vieille"

  32. Anon., ca 1529
  33. Suite "La Magdalena"

Playing time: 17' 06" + 17' 19"

Performers:
Ensemble Renaissance [Dragana Jugovic (mezzo-soprano), Dragan Mladjenovic (tenor, sopranino recorder, alto krummhorn, tenor rauschpfeife, great bass krummhorn, jew's harp, percussion), Miroslav Markovic (baritone), Georges Grujic (recorders, sopranino rauschpfeife, bass krummhorn, soprano cornamuse, bass cornemuse, tenor rackett), Miomir Ristic (fiddle, rebec, viola da gamba, tenor cornamuse, percussion), Vladimir Ciric (vielle, rebec, percussion), Svetislav Madzarevic (lute, percussion), Ljubica Grujic (spinet), Slobodan Vujisic (turkish lute, Renaissance lute), Dragan Karolic (recorders, tenor cornamuse, bass cornemuse), Marko Stegelmann (bagpipe)]

Recording site and date:
Yugoslavia [1984 or prior]

Excerpts:
[1]-[9] Al Segno as 2005 2 [CD] Hommage à l'amour
[10]-[17] Al Segno as 2004 2 [CD] Mon Amy

Compilation:
Al Segno as 2015 2 [CDx2] Anthologie - Ensemble Renaissance

Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.):
Fanfare (Vol./#-p.):

Comments:
Information from owned LP

To FAQ references to this recording.

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Pierre-F. Roberge