Bach: St. Matthew Passion

Johann Sebastian Bach
Bach: St. Matthew Passion
László, Rössel-Majdan, Munteanu, Cuénod, Standen, Rehfuss, chorus and orchestra - Hermann Scherchen, cond.
Westminster WAL 401 (XTV 19938-19945) [LPx4, mono, auto seq.]
Nixa / Westminster WLP 6401 [LPx4, mono, auto seq., UK]
Vega VAL 13 [LPx4, mono, auto seq., France]
Westminster XWN 4402 (XWN 18304-18307) [LPx4, mono, auto seq.]
Westminster MS 6304e [LPx4, mono, auto seq.]
ABC "Westminster Gold" WGMO-8318-4 [LPx4, mono, auto seq.]
Westminster SLP 5597 [LPx4, mono, auto seq., Brazil]
Nippon Columbia (Japan) OW 8067/70-AW [LPx4, mono, auto seq.]
Universal (Japan) MVCW-14012/4 [CDx3]
Universal "Millenium Classics" UMD3-80470 [CDx3]

Contents:

    Johann Sebastian Bach
    St. Matthew Passion

    LP-1, side 1 - Part I

  1. No. 1 Chorus: Kommt, irh Toechter
    to
    No. 12 Aria Blute nur, du liebes Herz
  2. LP-2, side 1 - Part I

  3. No. 13 Recitative: Aber arm ersten Tage
    to
    No. 23 Choral: Ich will hier bei dir stehen
  4. LP-3, side 1 - Part I

  5. No. 24 Recitative: Da kam Jesus mit ihnen zu winem Hofe
    to
    No. 31 Choral: Was mein Gott will
  6. LP-4, side 1 - Part I

  7. No. 32 Recitative: Und her kam und fand sie aber sclafend
    to
    No. 35 Choral: O Mensch, bewein' dein' Suende gross
  8. LP-4, side 2 - Part II

  9. No. 35 ChorusAch, nun ist mein Jesus hin
    to
    No. 51 Aria: Gebt mir meinen Jesum wieder
  10. LP-3, side 2 - Part II

  11. No. 52 Recitative: Sie hiwlten aber einen Rat
    to
    No. 61 Aria: Koennen Traenen meiner Wangen
  12. LP-2, side 2 - Part II

  13. No. 62 Recitative: Da nahmen die Kriegsknechte
    to
    No. 73 Recitative: Und es waren viel Weiber da
  14. LP-1, side 2 - Part II

  15. No. 74 Recitative: Am Abend, da es kuehle war
    to
    No. 78 Chorus: Wir setzen uns mit Traenen nieder

Playing time: 3h 18' 53"

Performers:
Magda László (soprano - arias), Hildegarde Rössel-Majdan (contralto), Petre Munteanu (tenor - arias), Hugues Cuénod (tenor - Evangelist), Richard Standen (bass - arias), Heinz Rehfuß (bass - Jesus), Eberhard Wächter (Bass - Judas & Pilate), Peter Lagger (Bass - Peter, 1st Priest), Elfriede Hofstätter (Soprano - 1st Witness), Kurt Equiluz (Tenor - 2nd Witness), Leo Heppe (Bass - 2nd Priest);: Laurence Molden (Soprano - 1st Maid); Helga Glöckner (Soprano - 2nd Maid), Elfi Monsberger (Soprano - Pilate's Wife)
Wiener Akademie Kammerchor / Vienna State Opera Orchestra:
Richard Standen (bass), Karl Öhlberger (first bassoon), Richard Harand (first cello), Otto Rühm (double bass), Karl Reznicek (first flute), Franz Holetschek (harpsichord), Karl Mayerhofer (first oboe), Bruno Seidlhofer (organ), Ferdinand Raab (first viola), Beatrix Reichert (viola da gamba), Walter Barylli (solo violin), Wilhelm Hübner (first violin)
Hermann Scherchen, cond.

Recording site and date:
Mozartsall, Konzerthaus, Vienna, Austria [06-07/1953];
Rel. 1953 (WAL), 1956 (XWN), WGMO (1975), 1998 (UMD)

Excerpts:
Universal (France) MCD 84170 [CD] Bach: St. Matthew Passion (excerpts).

Reviewed in:
Diapason (#-p.):
Gramophone (Vol./#-p.):

Comments:
Information from LP (WAL).

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Pierre-F. Roberge