This is some of Josquin's most famous music, and the paired settings make for ready points of comparison. The Missa L'homme armé sexti toni is the more polished & sophisticated in this sense, but the Missa L'homme armé super voces musicales is more of a technical tour de force.
This is one of those interpretations that, relatively speaking, I was enthusiastic about when it appeared. But now it seems dated, and there are some better performances, but not of this specific music.
I suppose there will be another generation of interpretations soon.
To renaissance sacred listTodd M. McComb