Most of the present program is what I have been calling "Renaissance," although here it is presented as continuous with the late Medieval. The program is thus quite stimulating, especially as it provides a different perspective on the early 15th century. Specifically, the anonymous works in the more thirds-based style are quite interesting, and relatively unknown.
The performance is quite dynamic, from the sweep of the program, to the virtuoso lines. The recorder playing is especially striking here. This might be the most impressive performance the present ensemble has produced to date, including an impressive variety of styles.
It also provides a particularly valuable view of the transition from medieval to Renaissance song idioms, especially together with Alla Francesca's Ciconia program.
This disc was named my EM Record of the Year for 1998.
Todd M. McComb