Performers: Eva Furrer (flute), Vera Fischer (flute), Markus Deuter (oboe), Konrad Zeller (oboe), Donna Wagner Molinari (clarinet), Bernhard Zachhuber (clarinet), Zarko Perisic (bassoon), Bianca Schuster (bassoon), Christoph Walder (horn), Angela Oehmke (horn), Sasa Dragovic (trumpet), Marco Blaauw (trumpet), Sebastian Fuchsberger (trombone), Franz Geroldinger (trombone), Wilfried Brandstötter (tuba), Marino Formenti (piano), Genny Reitano (harp), Lukas Schiske (percussion), Annette Bik (violin), Sophie Schafleitner (violin), Dimitrios Polisoidis (viola), Andreas Lindenbaum (cello), Uli Fussenegger (double bass)
Playing time: 55'
Recording date: February 1999 (Wien); released: 2000
This is currently the earliest performance listed on my Feldman page, although it does not sound particularly dated. It has a very precise "coldness" to it, that some writers associate with European interpretations of Feldman. It's also the longest of the five recordings to date of For Samuel Beckett, which you really would not be able to tell without consulting a timer. That's one interesting thing about Feldman's use of scale in music: Whether one performance is slower or faster or not can be quite deceptive to the mind & ear. This recording has a good clarity to it, and one can hear the individual parts (although they also blend by design).
To purchasing information for this disc.
To Feldman page.Todd M. McComb