Musique à la Chapelle Sixtine autour de 1490

De Orto / Josquin
Musique à la Chapelle Sixtine autour de 1490
Cut Circle - Jesse Rodin
Musique en Wallonie 1265/1266 [CDx2]

Contents:

  1. Josquin: Nardi Maria pistici
  2. Josquin: Missa La sol fa re mi - Crucifixus
  3. Josquin: Missa La sol fa re mi - Agnus Dei
  4. Josquin: Missa Fortuna desperata - Gloria
  5. Josquin: Missa Fortuna desperata - Sanctus I
  6. Josquin: Missa Fortuna desperata - Agnus Dei I
  7. Weerbeke: Dulcis amica Dei / Da pacem (a 5)
  8. Weerbeke: Ave regina celorum
  9. Weerbeke: Missa Princesse d'amourettes - Agnus Dei
  10. Anon: Credo (VatS 51, fol. 187v-190r)
  11. De Orto: Lucis creator optime
  12. De Orto: Missa ad fugam - Gloria
  13. Vaqueras: Domine non secundum peccata nostra
  14. Josquin: Domine non secundum peccata nostra
  1. Dufay / "Borton": Il sera pa vous / L'homme armé
  2. Anon: L'homme armé
  3. De Orto: Missa L'homme armé - Kyrie
  4. De Orto: Missa L'homme armé - Gloria
  5. De Orto: Missa L'homme armé - Credo
  6. De Orto: Missa L'homme armé - Sanctus
  7. De Orto: Missa L'homme armé - Agnus Dei
  8. De Orto: Ave Maria mater gratie (a 5)
  9. Plainchant: Factum est silentium
  10. Josquin: Missa L'homme armé super voces musicales - Kyrie
  11. Josquin: Missa L'homme armé super voces musicales - Gloria
  12. Josquin: Missa L'homme armé super voces musicales - Credo
  13. Josquin: Missa L'homme armé super voces musicales - Sanctus
  14. Josquin: Missa L'homme armé super voces musicales - Agnus Dei

Performers: Carolann Buff (superius), Mary Gerbi (superius), Bradford Gleim (tenor), Jason McStoots (altus), Aaron Sheehan (altus, tenor), Matthew Anderson (tenor), Marc Molomot (altus, tenor), Sumner Thompson (bassus), Paul Max Tipton (bassus), John Proft (bassus)

Playing time: 149'

Recording dates: August 2008, August & September 2010 (Massachusetts); released: 2012

This appears to be the first mass cycle by De Orto to appear on record. The three tracks by Weerbeke are also the most to be devoted to this composer.

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Todd M. McComb