Canticum Canticorum

Canticum Canticorum
Il Simbolo Sacro dell'Amore nella Tradizione Musicale Medioevale
Ensemble Cantilena Antiqua - Stefano Albarello
Symphonia 95135

Contents:

    La Presentatzione

  1. Sir hassirim'aser
  2. Filie Iherusalem nintiate
    Osculetur me osculo
  3. In odorem unguentorum
    Nigra sum
  4. Si ignoras te
  5. Rex Salomon (instrumental)
  6. Il Primo Incontro

  7. Pulchre sunt gene tue
    Iam dulcis amica venito
    Dum esset rex in accubitu suo
  8. Ecce pulcher (instrumental)
  9. Ecce tu pulcher es dilecte mi
    Adest Sponsus
  10. Ecce tu pulchra es amica mea
    Sicut lilium inter spinas
    Sicut malum inter ligna silvarum
  11. Tamquam Sponsus
  12. La Primavera

  13. Amor vincens omina / Mariae preconio / Aptatur
  14. Introduxit me Rex in cellam
    Laeva eius sub capite
    Eia Sponsa Christi
  15. Iam enim transit
    Procedentem Sponsum
    Ostende mihi faciem
  16. Il Corteo Nuziale

  17. Ferculum fecit sibi Rex Salomon
  18. Nuptialis hodie
  19. Il Corpo della Sposa

  20. Alleluja: Tota pulchra es
  21. Favus distillans labia tua
    Emissiones tue paradisus
    Fons ortorum puteus
  22. Si vocatus ad nuptias
  23. Virgines egregie
    Veni dilectus meus in hortum
    Veni in ortum meum
  24. L'Apparizione Notturna

  25. Dilectus meus misit
  26. Anima mea liquefacta es
  27. La Ricerca dell'Amato

  28. Adiuro vos Filie Ierusalem
    Dilectus meus candidus
    Talis est dilectus
  29. Aromimha lihevode (instrumental)
  30. Lode della Bellezza

  31. Sexaginta concubine
  32. Que est ista que ascendit
    Alleluja: Que est ista
  33. La Danza di Sulamite

  34. Descendi in ortum meum
  35. Il Secondo Incontro

  36. Veni dilecte mi
  37. Laeva eius sub capite
    Adiuro vos Filie Ierusalem
    Que est ista que ascendit
  38. La Celebrazione della Chiesa

  39. Soror nostra parvula
  40. Rex Salomon fecit templum

Performers: Alessandro Carmignani (tenor), Vincenzo Di Donato (tenor), Antonio Domenighini (baritone), Matteo Zenatti (tenor), Stefano Albarello (countertenor, 'ud, lute, saz, qanun), Paolo Faldi (recorders, shawms), Marco Muzzati (percussion, psaltery, bells), Gianfranco Russo (vielle, recorder)

Playing time: 72'

Recording date: March 1995

This recording is based on the Canticum Canticorum, drawing on a variety of sources of the 12th & 13th centuries from Paris, Italy, England and elsewhere.

The performance reflects the variety in the sources, mixing all-vocal works, with instrumental pieces, plus combined forces (whether in origin polyphony or monophony). Yet, the integrity of the text makes the program come off very coherently.

The way the recital is broken into "scenes" and presented integrally from principally monophonic sources makes it rather like an actual medieval mystery play in effect.

Other significant medieval programs on this theme:

Canticum Canticorum
Come into my Garden
Tapestry
Telarc 80486
Frauenlob
The Celestial Woman
Sequentia - Barbara Thornton & Benjamin Bagby
Deutsche Harmonia Mundi 77309

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Todd M. McComb