Sephardim
- The Sacred Bridge
- Jews & Christians in Medieval Europe
Boston Camerata - Joel Cohen
Erato 292-45513-4 [Cass.]
Erato 292-45513-2 [CD]
Contents:
I - Songs of Exile
Anon., Sephardic / Sephardic (Jerusalem)
- Boray ad ana / Criador hasta cuando
Anon., Sephardic / Sephardic (Psalm 137)
- Al naharot bavel
II - The Sacred Bridge
Anon., Gregorian / Ashkenasy
- In exitu Israel / B'tset Yisrael
Obadiah, the Proselyte: Eulogy of Moses
- Mi al har Horeb
II - Jewish Minsrels at Christian Courts
Mathieu le Juif
- Par grand franchise
Sueskint von Trimberg / Der Wilde Alexander
- Wa heb' uf
IVa - Jewish Folklore of the Mediterranean Basin: Jewish of
the Provence
Anon., Carpentras: Lou Tragediou de la Reine Esther / L'Air
du Postillon, 18th c.
- Cansoun d'Ester
Anon., Circumcision Song, 18th c.
- Eftach sefatai
IVb - Spanish Jewry in exile
Anon., sephardic
- Morena me llaman
- Yo Hanino, tu Hanina
- En ciudad noble y encina
- Desde hoy mas, mi madre
- La rosa enfloresce
V - Songs of Mystical Spain
Anon., sephardic
- Respondemos, Dio de Abraham
Alfonso le Sabio (attr.): Cantigas de Santa Maria
- Cantiga 340: Cantiga Virgen Madre gloriosa
Anon.
- Kaddish
Alfonso le Sabio (attr.): Cantigas de Santa Maria
- Cantiga 1: Dos oge mas quer eu trobar
- Cantiga 34: Gran dereit
Anon., sephardic
- Cuando el Rey Nimrod
Abraham, cantor of Gerona
- Ahot ketana
Alfonso le Sabio (attr.): Cantigas de Santa Maria
- Cantiga 263: Muit e benaventurado
Anon., sephardic
- El nora alila
Recording date: January 1989
Excerpts:
[3] Erato 4509-91777-2 Music and Memory
- Musiques et Mémoires
This program attempts, through music and poetry, to trace some
of the ways in which Jewish and Christian communities in medieval
Europe related to and depended on each other despite their forced
seperation from each other. The program includes songs of exile,
works by Jewish minstrels at Christian courts, Mediterranean Jewish
folklore, and 'songs of mystical Spain'.
Among these repertories, the Sephardic songs originating in
medieval Spain have been given a good deal of attention. A few
programs devoted to these songs in varying interpretations, along
with other related items as in the present recording:
- Díaspora Sefardí
- Romances & Música Instrumental
Ensemble Hespèrion XXI - Jordi Savall
Alia Vox AV 9809 A+B (2 CDs)
- El Canto Espirituel Judeoespañol
- Alia Música - Miguel Sánchez
Harmonia Mundi "Ibérica"
987015
- Sephardic Romances
- Traditional Jewish Music from Spain
Ensemble Accentus - Thomas Wimmer
Naxos 8.553617
- Sepharad
- Songs of the Spanish Jews
Ensemble Sarband - Vladimir Ivanoff
Deutsche Harmonia Mundi 77372
- From the shores of the Golden Horn
- Paths of Exile - Quincentary Series Vol. 1: Music of the Spanish
Jews of Turkey
The Voice of the Turtle - Judith Wachs
Titanic 173
An extensive listing from Voice of the Turtle can be found in
the final link above. See also the under construction
Sephardic discography.
This is primarily oral repertory, and so performances are based
strongly on the survival of Sephardic descendants in modern Turkey
and Northern Africa. Some facts regarding music in Islamic Spain
are also used. Of course, there are many other program of Sephardic
music, including many on modern instruments.
In addition to this Sephardic repertory, medieval Spain also
notably included Islamic music. A recorded example:
- Música Andalusí
- Nuba Al-Istihlál
Ibn Báya Ensemble - Omar Metioui & Eduardo Paniagua
Sony "Hispánica"
62262
And a recording devoted to the earliest conjecturally surviving
Jewish music, that from the Old Testament:
- La Musique de la Bible revélée
- notation millénaire décryptée
Suzanne Haïk Vantoura
Harmonia Mundi musique d'abord
190989
A recording which attempts to reconstruct synagogue chants from
the middle ages:
- Ancient Hebrew Chants of the Mediterranean
- Paolo Buconi Ensemble
Tactus 590002
Finally, a recording moving into the Baroque, of a unique example
of composed music for the Jewish temple:
- Salomone Rossi: The Two Souls of Solomon
- Ensemble Daedalus
Accent 96119
To purchasing information for this disc.
To FAQ references to this recording.
To FAQ CD index page.
Todd M. McComb