The subject of this list is primarily the French language compositions of the Medieval period, whether the chanson proper or the polytext motet. Material in other languages (especially Italian) will be included, where appropriate. This does include Latin, if the theme of the program is not primarily sacred.
This music shows a broad range, from the subtle monophonic melodies of the late 12th century to the convoluted polyphonic songs of the early 15th century. Of course, Machaut is central. The recordings listed will not be entirely composed of secular music (of necessity), but that will be my primary interest in the disc (so far as that can be pinned down).
The sectional break-downs & individual listings are arranged roughly chronologically, and intended to help clarify stylistic eras. In this case, ratings tend to be rather clearly indicative of a broad appreciation on my part.
These recordings seem to come in bursts, with long lags in certain areas, but overall the volume is high, so I am rather selective here. Nonetheless, the list below is ample, at least for the trouvères, and the range of interpretation is pleasantly large. Other troubadour releases remain welcome, as there are some favorite songs which do not appear on compelling overall programs.
This section links up closely with the preceding one, but here the emphasis is on polyphony and the motet, which evolved alongside both the trouvère song and the sacred polyphony of the era. The emphasis is on the Parisian motet, although some outlying repertory is included.
Machaut is clearly one of the all-time great Western composers, and I am happy to have a variety of wonderful recordings to list here. Although there are many other recordings available, especially given the relatively advanced state of interpreting Machaut's songs, I have tried to be selective. The recordings in this section are chronological by recording date.
This section has improved dramatically, from the almost nonexistent coverage of not so long ago, but still could use more. At this point, Micrologus is clearly over-represented here, since there are some other interpretations available, but obviously I am very taken with their approach. Italian music of this period does compete with the French in volume, although the contrapuntal variety is not as great.
Once neglected and considered "bizarre" or even unplayable, this music is enjoying a tremendous upswing in attention. There are many quality performances dedicated to it, and the voluminous sources are making it one of the longest sections of this list. In many ways, this repertory grows naturally out of the late works of Machaut, but then the center of activity shifts to Southern France & Northern Italy. There is also a significant outlier in French-ruled Cyprus. Toward the end of this section we also find the the beginnings of the Renaissance style with its simpler lines and greater emphasis on harmony in thirds. The last programs here spans this shift, to an increasing degree.
If a recording in this genre is not listed here, either I haven't been able to obtain a copy (perhaps out of print), I don't know about it at all, I felt that it is substantially duplicated by a recording I like better, or I didn't care for it enough to give it one star. Please feel free to inquire, especially if you know a recording I probably don't.
I will try to keep this page up to date as new releases appear.
To recommendation lists.Todd M. McComb Updated: 29 July 2016